The desire to handle even undesirable elements of one’s culture in a humorous-yet-serious way is something that has actually been ever-present in the media. Social issues, along with the periodic political issue, can all of a sudden be the focal discussion point of episodes of popular shows, with some more popular ones becoming the focus of whole series. The Japanese hikikomori problem, together with the standard social stress and anxiety and hints of schizophrenia that being a hikikomori requires, has ended up being the premise of a fairly recent franchise consisting of an anime, comic, and novel series understood simply as “Welcome to the NHK.”
The program focuses on the lives, trials, and adversities of Sato Tatsuhiro, who is basically a hikikomori. This means he shows extreme moments of social stress and anxiety, presuming as to avoid his moms and dads (whom he’s living with) as much as he can. Besides being a social shut-in, he is also frequently seen to show another Japanese sub-culture-turned-problem: that of being a compulsive anime otaku. For the unknown, the Japanese see the otaku sub-culture as a possible social issue, generally because most of these individuals have a slightly jeopardized grip on reality, preferring to focus their time, effort, and attention on different types of entertainment. Usually, the obsessive nature targets a single media kind, such as music or anime, and focuses specifically on that. The sub-culture displays indications that are interpreted as social anxiety, though they in some cases appear to have rather typical social interactions on the rare occasions where great deals of otaku collect.
This conspiracy, known as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese television network NHK. It is significant that while Sato at first thinks the female lead, Misaki Nakahara, to be one of these agents, he never ever actually takes the time to detail what the NHK hopes to achieve by turning the whole male population of Japan into socially-inept shut-ins.
Together with a range of other characters, a few of which seem to be agents of other socially-challenged Japanese sub-cultures, Misaki and Sato come together in the most unusual ways. Part of the interaction in between the two leads stems from Misaki’s agreement with Sato, which mentions that when every evening, she is to lecture him on how to overcome his social anxiety and end up being a typical, operating member of society again. Of course, to supply home entertainment value, not whatever goes as planned, with Sato experiencing whatever from anxiety attack due to being outdoors his home, to having Misaki pretend to be his girlfriend to deceive his checking out mother.
This includes the growing independent gaming circuit, the “Internet suicide pacts” problem, and other Japanese social traits. mlb중계 Hence, unlike the novels, the show does not explicitly link the NHK conspiracy to the NHK television network.
The Japanese hikikomori problem, along with the standard social anxiety and hints of schizophrenia that being a hikikomori entails, has become the premise of a fairly current franchise consisting of an anime, comic, and novel series known merely as “Welcome to the NHK.”
This conspiracy, known as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese television network NHK. It is significant that while Sato initially thinks the female lead, Misaki Nakahara, to be one of these representatives, he never in fact takes the time to detail what the NHK hopes to attain by turning the whole male population of Japan into socially-inept shut-ins.
Hence, unlike the novels, the show does not clearly connect the NHK conspiracy to the NHK television network.