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Favorite numbers include an in-the groove version of Abbey Road’s “Come Together,” the novelty track with an excellent riff “Birthday,” a swamp blues-accented “Do It Within the Road” along with “Yesterday”-re-imagined as a cushiony blues rhumba. Then easing back, the dueling keys of John Pinekaers’ piano and Toby Marshall’s organ, it’s Dee’s deep intense vocals that “Take It To The Limit,” building a gospel intensity so soulful it took a while to appreciate this was an Eagles track. Drifting to a gentle sway, Dee croons over Marshall’s light organ and Boom Boom’s harp because the cymbals dance around the rhythm and soulful backing vocals chime in like a horn part with Dylan Salfer taking part in some wonderful slide guitar on Derek Trucks’ “Midnight In Harlem.” Craig Clark steps to the entrance on vocals for Albert Collins “Black Cat Bone” as John Pinekaers sprinkles some juju on piano and Clark lays down some heavy mojo on his solo, driving his vocals to the sting. Then Craig throws down a heavy riff as Miller moans and cries that her man has been “Steppin’” out because the piano plunks out a protest and the guitar gives a thunderous reply until Dee steps in to set issues straight.

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